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William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. ==Biography== William Holman Hunt changed his middle name from "Hobman" to Holman when he discovered that a clerk had misspelled the name after his baptism at the church of Saint Mary the Virgin, Ewell. After eventually entering the Royal Academy art schools, having initially been rejected, Hunt rebelled against the influence of its founder Sir Joshua Reynolds. He formed the Pre-Raphaelite movement in 1848, after meeting the poet and artist Dante Gabriel Rossetti. Along with John Everett Millais they sought to revitalise art by emphasising the detailed observation of the natural world in a spirit of quasi-religious devotion to truth. This religious approach was influenced by the spiritual qualities of medieval art, in opposition to the alleged rationalism of the Renaissance embodied by Raphael. He had many pupils including Robert Braithwaite Martineau. Hunt married twice. After a failed engagement to his model Annie Miller, he married Fanny Waugh, who later modelled for the figure of Isabella. When she died in childbirth in Italy he sculpted her tomb at Fiesole, having it brought down to the English Cemetery, beside the tomb of Elizabeth Barrett Browning. His second wife, Edith, was Fanny's sister. At this time it was illegal in Britain to marry one's deceased wife's sister, so Hunt was forced to travel abroad to marry her. This led to a serious breach with other family members, notably his former Pre-Raphaelite colleague Thomas Woolner, who had once been in love with Fanny and had married Alice, the third sister of Fanny and Edith. Hunt's works were not initially successful, and were widely attacked in the art press for their alleged clumsiness and ugliness. He achieved some early note for his intensely naturalistic scenes of modern rural and urban life, such as ''The Hireling Shepherd'' and ''The Awakening Conscience''. However, it was with his religious paintings that he became famous, initially ''The Light of the World'' (1851–1853), now in the chapel at Keble College, Oxford; a later version (1900) toured the world and now has its home in St Paul's Cathedral. In the mid-1850s Hunt travelled to the Holy Land in search of accurate topographical and ethnographical material for further religious works, and to “use my powers to make more tangible Jesus Christ’s history and teaching”;〔Hunt, W.H., Pre-Raphaelitism and the Pre-Raphaelite Brotherhood; London: Macmillan; 1905, vol. 1 p 349〕 there he painted ''The Scapegoat'', ''The Finding of the Saviour in the Temple'' and ''The Shadow of Death'', along with many landscapes of the region. Hunt also painted many works based on poems, such as ''Isabella'' and ''The Lady of Shalott''. He eventually built his own house in Jerusalem〔(Victorian Web )〕 He eventually had to give up painting because failing eyesight meant that he could not get the level of quality that he wanted. His last major works, a large version of ''The Light of the World'' were completed with the help of his assistant Edward Robert Hughes. He died on 7 September 1910 and was buried in St Paul's Cathedral〔(Find A Grave )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「William Holman Hunt」の詳細全文を読む スポンサード リンク
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